In a world filled with high-octane action films and formulaic romances, a heartfelt road-trip movie about four women on a life-changing journey feels like a breath of fresh air. Dhak Dhak, starring Ratna Pathak Shah, Dia Mirza, Sanjana Sanghi, and Fatima Sana Shaikh, takes us through an empowering tale set against the backdrop of India’s rugged roads and vibrant landscapes. Directed by Tarun Dudeja, this 2023 drama highlights themes of freedom, self-discovery, and the unshakable bonds of sisterhood. The film is set in contemporary India, with much of its plot unfolding across various cities and the picturesque, yet challenging terrain, making it a journey in both the literal and emotional sense.
The story revolves around four women from different walks of life, each battling their own personal struggles and societal pressures. They embark on a motorcycle road trip to the highest motorable pass in the world—Khardung La in Ladakh. This ambitious adventure begins with Mahi (Ratna), a conservative grandmother yearning to break out of her traditional life, and coincidentally pulls in Sky (Fatima), a rebellious bike enthusiast; Uzma (Dia), a housewife struggling with her identity; and Manjari (Sanjana), a quiet girl seeking more than what her mundane life offers. As they ride across treacherous roads, face various hurdles, and confront their inner demons, the film becomes a moving exploration of their transformative journeys—both on and off the road.
One of the film’s strongest aspects is its casting and the performances delivered by the four leads. Ratna, as expected, shines with her effortless portrayal of Mahi. She beautifully balances her character’s vulnerability with a sense of humor and quiet strength. Her performance adds depth to the film, particularly in moments where her character battles the expectations of being a traditional Indian woman. Fatima, as the fiery and free-spirited Sky, brings energy and charisma to the screen, making her one of the film’s more memorable characters. Her rebellious attitude is complemented by her bike-riding skills, giving the movie its adrenaline-pumping moments. Dia, as Uzma, brings grace and quiet intensity, portraying the struggle of a woman torn between familial responsibilities and personal desires with subtlety. Sanjana’s Manjari is the most understated of the four, but her innocence and quiet resilience make her journey equally compelling.
Direction plays a pivotal role in ensuring that each character’s personal story is given enough space to develop. Tarun Dudeja’s approach is sensitive and measured, allowing the film to flow organically rather than forcing unnecessary drama. The pacing is steady, though it could have been tighter in certain areas. Dudeja successfully captures the spirit of the road trip genre while grounding the narrative in relatable, everyday struggles of Indian women. What stands out is the way he manages to balance lighthearted moments with more serious, introspective scenes. He ensures that the film remains emotionally engaging without becoming preachy or over-sentimental. The film is primarily character-driven, and Dudeja’s nuanced direction ensures that the audience remains invested in the women’s journeys, both literal and metaphorical.
The cinematography by Sreejesh Nair is another standout aspect of the movie. The film is visually stunning, particularly in its sweeping shots of the majestic Ladakh mountains, winding roads, and the stark beauty of India’s diverse terrains. The journey from the bustling city streets to the serene mountain paths is beautifully captured, and the vast landscapes serve as a metaphor for the limitless possibilities awaiting the women. Each scene on the road is meticulously framed to enhance the sense of freedom and adventure, while close-ups during emotional moments help build a strong connection with the characters’ internal struggles. Nair’s work enhances the film’s overall appeal, making the journey as much a visual treat as it is a narrative one.
In terms of music, Hitesh Sonik’s score complements the tone of the film well. The background score enhances the emotional weight of pivotal scenes without overwhelming them. The songs, while not overly memorable, fit seamlessly into the narrative. The film doesn’t rely heavily on music to drive its emotional core, but rather uses it sparingly to underscore key moments of realization and bonding between the characters. It’s a wise choice, allowing the plot and performances to shine through without being drowned out by overbearing musical numbers.
Editing by Aarti Bajaj is crisp, though the film could have benefited from tighter pacing, especially in the middle section where the narrative lags slightly. The runtime feels a bit stretched as the story transitions from the first half to the second, where the characters’ personal stories begin to deepen. However, Bajaj ensures that the film never loses its emotional core, and the final act ties the journey together beautifully, with an ending that is both satisfying and heartwarming.
Another aspect worth mentioning is the film’s subtle but effective costume design. The costumes are practical and reflective of each character’s personality. From Mahi’s traditional sari to Sky’s rugged biker gear, the clothing choices add layers to the characters without drawing too much attention. It’s a nice touch that adds realism and authenticity to the film.
Dhak Dhak succeeds not only as a road-trip adventure but also as a meaningful exploration of female empowerment and self-discovery. The film’s core message—that it’s never too late to break free from societal expectations and embrace one’s true self—resonates deeply, particularly in a country where women are often burdened with limiting roles. The movie is a celebration of womanhood, friendship, and the strength it takes to push past personal and societal barriers. The pacing issues aside, the film manages to strike a balance between entertainment and a more profound, introspective narrative.
In conclusion, Dhak Dhak is an emotionally charged and visually captivating film that combines the thrill of adventure with heartfelt personal stories. The performances, especially from Ratna and Fatima, elevate the film, making it a must-watch for anyone who enjoys character-driven narratives. It offers a fresh perspective on female friendships, individual growth, and the importance of breaking out of one’s comfort zone. While not without its flaws, the film’s charm lies in its authenticity and the strong performances of its cast. If you’re in the mood for a feel-good film that offers more than just surface-level entertainment, this one should be on your watchlist.
