When one man finds himself married to three women while being engaged to a fourth, chaos is bound to ensue. Kis Kisko Pyaar Karoon, starring Kapil Sharma in his Bollywood debut, along with an ensemble cast including Elli AvrRam, Simran Kaur Mundi, and Manjari Fadnis, takes place in present-day Mumbai. A rom-com with a slapstick twist, this film weaves through a convoluted web of secrets, lies, and hilarious misunderstandings, making it a lighthearted entertainer.
The plot revolves around Shiv Ram Kishan, a man caught in an absurdly complicated situation where he accidentally marries three women due to various circumstances and is now trying to juggle his responsibilities without letting them find out about one another. To make matters worse, he’s also romantically involved with a fourth woman, Amy, whom he genuinely wants to marry. The film takes us through Shiv’s desperate attempts to maintain this charade while managing three households and satisfying the demands of all his wives. Of course, things inevitably spiral out of control, leading to a series of comical mix-ups, near-discoveries, and fast-paced shenanigans.
One of the film’s notable aspects is Kapil’s performance. Known for his impeccable comedic timing from his television days, he translates that charm onto the big screen with ease. His portrayal of Shiv is filled with slapstick humor, witty one-liners, and situational comedy that keeps the audience entertained throughout. While his character’s actions are morally dubious, Kapil’s boy-next-door appeal helps make Shiv likable. The sheer absurdity of his predicament allows Kapil to shine, whether he’s making excuses to his wives or dodging sticky situations with a mix of panic and humor. His chemistry with each of the actresses, while largely surface-level, also works because of his natural ease in comedic settings. Kapil’s ability to handle this complicated character with humor and without becoming unlikable is what carries much of the film’s weight.
Moving onto the direction, Abbas-Mustan—known for their thrillers—take a detour into comedy with this film. While the direction lacks the sharpness that they bring to suspense films, they manage to create a fast-paced and entertaining story here. Their handling of the farcical situations ensures that the audience is never bored, with one comedic scene swiftly leading to another. However, the direction doesn’t always offer much depth, often leaning heavily on slapstick moments and exaggerated scenarios. While this works for the genre, some refinement in storytelling could have helped elevate the film beyond just a situational comedy.
The film’s music, composed by a mix of Tanishk Bagchi, Dr. Zeus, and Javed Mohsin, does not play a particularly memorable role but supports the comedic narrative adequately. The songs, though peppy, feel formulaic and do little to enhance the story or characters. However, numbers like “Bam Bam” and “Jugni Peeke Tight Hai” provide lively breaks between the comedic sequences, contributing to the lighthearted tone of the film.
Cinematography by Dilshad V.A. is serviceable for a film of this nature. The vibrant and colorful depiction of Mumbai, along with the various homes Shiv has to dart between, adds to the visual appeal. While there’s nothing groundbreaking in terms of camera work or visual storytelling, it fits the light tone and breezy nature of the film. The fast cuts and transitions between scenes help maintain the momentum and chaos as Shiv frantically moves between his different lives.
Another key aspect of the film is its reliance on situational comedy and timing. The screenplay, written by Anukalp Goswami, is packed with hilarious situations where the protagonist finds himself in increasingly complex predicaments. For example, the sequence where all three wives are in the same building, oblivious to each other’s existence, is one of the film’s standout moments. It builds on classic elements of farce, creating tension that keeps the audience laughing while wondering how he will get out of it. However, the script occasionally overindulges in slapstick, and the humor becomes repetitive toward the end, with the same set of situations playing out in different ways.
Overall, Kis Kisko Pyaar Karoon is a light and breezy film that doesn’t pretend to be anything more than an entertainer. It excels in creating moments of laugh-out-loud humor, largely thanks to Kapil’s comedic talents and the ridiculousness of the premise. However, it falls short of being a great comedy due to its thin plot and lack of depth in both character development and storytelling. The film doesn’t delve into any serious emotional territory or attempt to make any commentary, focusing instead on delivering quick laughs and amusing situations. This works well for an audience looking for a fun, no-strings-attached movie experience.
If you’re a fan of slapstick comedies and don’t mind suspending disbelief for the sake of a few laughs, this film is worth a watch. While it’s not a masterpiece of comedic cinema, it offers enough humor and entertainment to keep you engaged, making it a good choice for a casual, lighthearted movie night.
