In a world where social taboos and stigmas still govern many aspects of life, few films dare to address them head-on, but this one does just that. Padman, directed by R. Balki, stars Akshay Kumar, Sonam Kapoor, and Radhika Apte in a biographical drama set in rural India. The film is based on the true story of Arunachalam Muruganantham, a man determined to create affordable sanitary napkins for women, and it takes place against the backdrop of a traditional and conservative society. As a mix of biopic and social commentary, the movie treads on delicate ground, using humor and heart to challenge age-old beliefs and taboos.
At the center of the plot is Lakshmikant Chauhan (Akshay), a simple yet innovative man who is married to Gayatri (Radhika). He is deeply troubled by the unsanitary methods women use during menstruation, and when he sees his own wife suffering due to a lack of affordable sanitary pads, he sets out to find a solution. His journey is not easy; it is met with ridicule, scorn, and even abandonment, as his obsession with creating a low-cost sanitary pad pushes him to the fringes of society. However, his determination never wavers. Lakshmikant’s quest is not just about inventing a product but about dismantling a culture of shame surrounding a natural biological process. Along the way, he forms an unlikely bond with Pari Walia (Sonam), a modern, progressive woman who becomes instrumental in bringing his innovation to the larger world.
The heart of the film lies in Akshay’s portrayal of Lakshmikant. Known for his versatility, Akshay brings a sincerity to the role that is both endearing and inspiring. He masterfully balances the character’s innocence with an underlying intensity, as Lakshmikant refuses to back down in the face of societal pressure. His comedic timing adds much-needed levity to the film, particularly in moments where the weight of the subject matter could easily become overwhelming. Radhika, as Gayatri, brings an authenticity to the role of a rural woman bound by tradition. Her portrayal of a wife caught between love for her husband and the limitations of her upbringing is both poignant and relatable. Sonam, as Pari, is the perfect contrast to Gayatri—modern, independent, and willing to stand beside Lakshmikant as he faces his challenges. Sonam’s character is crucial in the second half of the film, serving as both a support system and a catalyst for Lakshmikant’s broader ambitions.
R. Balki’s direction is focused and intentional, with a clear emphasis on making the film not just a social message but an entertaining and engaging narrative. His ability to mix humor with serious social issues is commendable. A notable aspect of the direction is how Balki handles the film’s sensitive subject matter with respect. Menstruation, a topic that is rarely discussed openly in Indian society, is portrayed in a straightforward and unembellished manner, making the audience confront it without discomfort. The narrative flows smoothly, though there are moments when the pacing feels a little slow, especially in the second half. However, this slight dip in tempo is overshadowed by the powerful message the film delivers.
The film’s cinematography, handled by P.C. Sreeram, is visually captivating, even though the setting is largely rural. The landscapes are beautifully captured, giving a sense of place that feels authentic to the story. The use of natural light and soft tones adds to the film’s overall warmth, reflecting the simplicity of Lakshmikant’s life while contrasting with the complexity of the mission he undertakes. Sreeram’s camerawork shines in moments where the personal and the political intersect, particularly during scenes that highlight Lakshmikant’s isolation and eventual triumph. The framing of these scenes underscores the emotional weight of the story, making the viewer feel every victory and setback.
Music by Amit Trivedi complements the film’s emotional beats without overpowering them. Songs like “Aaj Se Teri” are soft and romantic, illustrating Lakshmikant’s love for Gayatri, while other tracks serve to heighten the sense of perseverance and hope. The background score is subtle, allowing the performances to take center stage. What makes the music stand out is its ability to evoke the right emotions at the right moments. The song placements are well-timed and, rather than feeling forced, they flow naturally with the storyline.
In terms of costume design, Akshay Tyagi does a stellar job. The costumes reflect the simplicity of rural life, with Lakshmikant often seen in plain shirts and dhotis, emphasizing his everyman persona. Gayatri’s traditional sarees underline her rootedness in cultural norms, while Sonam’s modern attire serves as a visual metaphor for the progressive future that the film hopes to achieve.
While the film does not rely heavily on special effects, the real magic lies in its storytelling and character development. The script by R. Balki and Swanand Kirkire does a commendable job of balancing fact with fiction, ensuring that the essence of Arunachalam Muruganantham’s journey is retained, even as cinematic liberties are taken. The film’s dialogues, especially those delivered by Akshay, are both humorous and heartfelt, often cutting through the seriousness of the subject with wit and charm.
Where the film excels is in its ability to break down a taboo subject into something accessible for a mainstream audience. By using the personal story of one man’s determination to create change, the film transcends its local setting and becomes a universal tale of perseverance and social justice. However, there are moments where the film becomes preachy, particularly in the latter half when Lakshmikant’s invention becomes a global success. Some viewers might feel that the film’s messaging could have been more subtle, but given the nature of the subject, the approach is understandable.
Overall, this film is a triumph in terms of both storytelling and social impact. It’s not just a movie about sanitary pads; it’s a movie about innovation, breaking down societal barriers, and one man’s unwavering belief in doing the right thing. Akshay delivers one of his finest performances, backed by strong supporting actors and a director who knows how to balance heart with humor. It’s an inspiring film that doesn’t shy away from tackling an important issue, making it a must-watch for anyone interested in socially relevant cinema.
