Medical dramas often tackle sensitive topics, but when you mix humor with social commentary, it can result in something truly engaging. Doctor G is one such film that walks the fine line between comedy and drama. Directed by Anubhuti Kashyap, this 2022 film stars Ayushmann Khurrana, Rakul Preet Singh, Shefali Shah, and Sheeba Chaddha. Set in the bustling corridors of a medical college in Bhopal, it revolves around the peculiar yet poignant journey of a medical student who accidentally finds himself in a gynecology department, a branch traditionally dominated by women. The film delves into the genre of social comedy while subtly addressing gender stereotypes, biases, and professional challenges in the medical field.
The plot follows Uday Gupta (played by Ayushmann), an aspiring orthopedic doctor, who is reluctantly placed in the gynecology department due to his mediocre academic performance. Uday’s struggles begin with his discomfort in navigating a female-centric domain, where he’s the only male student. What starts as resistance and awkwardness slowly evolves into acceptance and learning as Uday realizes the value of empathy and professionalism. The film traces his growth from a man stuck in outdated gender norms to a more open-minded, empathetic individual. The story gains momentum when he encounters Dr. Nandini Srivastava (Shefali), a no-nonsense mentor who challenges Uday’s perceptions and forces him to rethink his role as a doctor and as a man. Alongside, Uday’s interactions with his supportive yet strong-headed mother (Sheeba) and budding romantic interest Fatima (Rakul) also weave into the larger narrative of his self-discovery.
One of the film’s standout aspects is Ayushmann’s performance. Known for choosing offbeat roles, Ayushmann once again dives into unfamiliar territory with ease and conviction. His portrayal of Uday is authentic, effortlessly balancing comedy with more serious undertones. Ayushmann captures the nuances of a young man struggling to adapt to a world that challenges his masculinity at every turn. His comic timing, especially in scenes where he finds himself in awkward situations with female patients, is impeccable. For instance, one scene where Uday tries to explain his discomfort while performing an examination brings out both laughter and reflection. Shefali as Dr. Nandini is equally remarkable. She plays the role of a seasoned professional with a commanding screen presence, and her strict yet nurturing attitude towards Uday brings depth to the mentor-student dynamic. Rakul as Fatima, though slightly underutilized, adds warmth to the film and her chemistry with Ayushmann, though subtle, feels natural.
Direction by Anubhuti Kashyap is sharp and focused. She manages to present the sensitive subject matter without crossing into crass humor or melodrama. The film never loses sight of its primary goal—breaking gender stereotypes—while also delivering an engaging narrative. Anubhuti balances the comedy and drama well, making sure that the film never feels too preachy. The screenplay, written by Sumit Saxena, Saurabh Bharat, and Vishal Wagh, is packed with clever dialogues that highlight the prejudices men and women face in professional spaces, particularly in the medical field. For instance, the scenes where Uday is teased by his friends for becoming a “ladies’ doctor” subtly point out the biases men harbor towards such professions, and how these stereotypes are deeply ingrained in society.
The film’s cinematography, led by Eeshit Narain, captures the essence of a small-town medical college with its earthy tones and grounded visuals. There is nothing overly stylized about the way the film is shot, which works in its favor, as the focus remains on the characters and their journey. The medical college, with its narrow corridors, packed classrooms, and busy hospital wings, feels authentic, allowing the audience to immerse themselves in Uday’s world.
The music, composed by Amit Trivedi, fits well within the narrative but doesn’t overshadow the story. Songs like “Har Jagah Tu” and “Newton” are pleasant additions, but the film doesn’t rely on its soundtrack to move the plot forward, which is a welcome change in this genre. Background music, however, plays an important role in maintaining the comedic tone, particularly in the more awkward or uncomfortable scenes, adding a light touch without being intrusive.
Costume design also plays a subtle yet important role in defining Uday’s journey. At the start, Uday’s casual, almost disheveled appearance reflects his indifference towards the field he’s been thrust into. As the film progresses, his transformation is visually represented by his shift towards more formal attire, symbolizing his acceptance of his new role.
One of the film’s strengths lies in its ability to handle multiple themes without becoming overburdened. While gender bias and professional challenges are at the forefront, the film also explores the relationship dynamics between Uday and his mother, brilliantly portrayed by Sheeba Chaddha. Sheeba’s character brings much-needed comic relief but also acts as a mirror for Uday’s own growth. Her progressive views and humor contrast beautifully with Uday’s initial rigidity, creating a layered narrative around family bonds and generational differences.
Another notable aspect is the film’s portrayal of female patients and doctors. It showcases the challenges female doctors face in male-dominated spaces, as well as the vulnerability of female patients who often feel uncomfortable being treated by male doctors. The film doesn’t shy away from showing the discomfort that arises in these situations, and in doing so, it makes a strong statement about the importance of empathy and professionalism in healthcare.
Doctor G is a refreshing addition to Bollywood’s social comedies, blending humor with important social messages. It’s a film that doesn’t just entertain but also educates, encouraging the audience to question deeply embedded stereotypes. Anubhuti Kashyap’s directorial debut proves that a film can be both fun and meaningful, without being overly didactic. The film’s tight editing ensures that it doesn’t drag, with each scene serving a purpose in the overall narrative.
In conclusion, Doctor G is a film that hits the right notes with its blend of humor, heart, and social commentary. Ayushmann delivers yet another commendable performance in a role that pushes boundaries and challenges gender norms. Supported by a strong cast, particularly Shefali and Sheeba, the film never loses its charm. The direction is crisp, the writing witty, and the message powerful. It’s a film that will leave you laughing, thinking, and perhaps even questioning your own perceptions. Highly recommended for those who enjoy socially relevant cinema with a generous dash of humor.
