Romantic dramas have a way of tugging at your heartstrings, and this film tries to do just that with its tale of love, longing, and heartbreak. Ekk Deewana Tha stars Prateik Babbar and Amy Jackson in the lead roles, set against the picturesque backdrop of Mumbai and Kerala. The film, directed by Gautham Menon, is a love story that fits snugly into the genre of romantic drama, exploring the complexities of relationships, faith, and societal boundaries in a contemporary Indian context.
The story follows Sachin, an aspiring filmmaker who falls head over heels for Jessie, a woman from a conservative Christian family. Jessie’s family disapproves of the relationship due to religious differences, creating a constant tension between the two. As the relationship unfolds, the couple navigates through misunderstandings, family pressures, and their own personal conflicts, creating a tumultuous love story that oscillates between hope and despair. The film keeps the audience on edge with its portrayal of a love that’s as beautiful as it is complicated.
One of the standout elements of the movie is its music, composed by the legendary A. R. Rahman. The soundtrack is undeniably the film’s strongest asset, and it enhances the emotional depth of the scenes. Songs like “Hosanna” and “Phoolon Jaisi” become anthems for the love and anguish of the lead characters. Rahman’s music not only complements the narrative but elevates it. Whether it’s the soft romantic melodies or the heart-wrenching ballads, the music ties the emotional highs and lows of the characters in a seamless flow. Rahman’s score ensures that the film, even in its slower moments, resonates with the audience on an emotional level.
In terms of acting, Prateik delivers a sincere performance as the love-struck Sachin. His portrayal of a passionate and determined young man who is willing to go to any lengths for love is endearing, though at times his character feels underdeveloped. There are moments where his performance feels a bit restrained, but he manages to carry the essence of a hopeless romantic. Amy, on the other hand, does a fair job of bringing Jessie to life. She portrays Jessie’s inner conflict well, as someone torn between love and the cultural boundaries set by her family. However, her performance doesn’t always match the intensity of Prateik’s, leaving certain emotional moments feeling slightly underwhelming.
The direction by Gautham Menon stays true to his style, with a heavy focus on slow-burn romance and deeply emotional moments. However, the film tends to drag in parts, particularly in the second half, where the pacing becomes sluggish. The emotional weight of the story begins to feel repetitive, and the constant back-and-forth between the couple begins to test the patience of the audience. Editing could have been tighter, especially in trimming down some of the repetitive dialogues and scenes that don’t add much to the progression of the story.
Cinematography by M. S. Prabhu is another highlight of the film. The contrast between the bustling city life of Mumbai and the serene landscapes of Kerala is beautifully captured. The visuals are lush and vibrant, with every frame looking like a postcard, particularly the scenes shot in Kerala’s backwaters. The cinematography helps enhance the film’s romanticism, offering a visual treat that complements the emotional journey of the characters. The use of natural light and wide-angle shots in Kerala provides the film with a visual poetry that adds to the aesthetic appeal.
On the downside, one of the weaker aspects of the film is its screenplay. The story feels stretched and, at times, predictable. While the central conflict of love versus societal expectations is relatable, the script doesn’t offer anything new to the genre. The characters, though likeable, are written in a way that leaves little room for growth, making their emotional arcs somewhat stagnant. The themes of forbidden love and the struggle for personal happiness are universal, but the film doesn’t delve deep enough into them to create a lasting impact.
Overall, Ekk Deewana Tha is a visually appealing film with a stellar soundtrack, but its slow pacing and lack of depth in the characters hold it back from becoming a truly memorable love story. The music by A. R. Rahman is reason enough to watch the movie, but the film’s narrative and execution fall short of its potential. If you’re a fan of slow-burn romances and can appreciate a good soundtrack, this film might appeal to you. However, those seeking a more engaging storyline may find themselves frustrated by the film’s meandering pace.
