Love, laughter, and societal boundaries collide in a bold yet entertaining manner. Shubh Mangal Zyada Saavdhan, a 2020 comedy-drama, stars Ayushmann Khurrana, Jitendra Kumar, Neena Gupta, and Gajraj Rao. Set in modern-day India, the film tackles the sensitive subject of same-sex relationships in the conservative context of a small-town family, blending humor with social commentary. It belongs to the rom-com genre but with a refreshing twist, making it stand out in Indian cinema’s LGBTQ+ representation.
The plot revolves around Kartik (Ayushmann) and Aman (Jitendra), a couple madly in love. They face the unenviable task of coming out to Aman’s traditional family, leading to awkward confrontations, funny misunderstandings, and a deeper message about acceptance and self-identity. While the narrative is primarily comedic, the film deftly highlights the emotional tension between familial love and personal truth. The screenplay doesn’t shy away from addressing homophobia but keeps it accessible by wrapping it in humor. The ending holds a powerful statement, but the core of the film is how these two men fight for their right to love in an unapologetic and lighthearted way.
One standout aspect is the acting, especially Ayushmann’s fearless portrayal of Kartik. He is magnetic and pushes boundaries with his flamboyant yet relatable performance. Jitendra compliments him perfectly, offering a more grounded and vulnerable portrayal of Aman, balancing out the energetic dynamic. The chemistry between the two leads is palpable, a testament to their acting skills. The supporting cast, particularly Neena Gupta and Gajraj Rao as Aman’s parents, deliver top-notch performances, blending comedic timing with moments of genuine emotion. Their confused yet affectionate portrayal of conservative parents provides the heart of the film.
The direction by Hitesh Kewalya ensures that the film stays fast-paced, maintaining a balance between comedy and serious themes without losing its lightness. The cinematography captures the small-town setting beautifully, with vibrant colors and lively backdrops enhancing the overall mood. The costume design deserves special mention for being fun, bold, and reflective of the characters’ personalities. Kartik’s outfits, in particular, reflect his rebellious and unapologetic stance, while Aman’s simpler wardrobe showcases his more hesitant approach.
The music plays an essential role in the film, with peppy tracks like “Pyaar Tenu Karda Gabru” and “Arey Pyaar Kar Le” keeping the energy up. The soundtrack complements the film’s fun, quirky vibe, ensuring that the pacing never feels slow. The background score, though not revolutionary, supports the film’s emotional beats well, helping to amplify both the comedic and heartwarming moments.
Another significant element is the film’s editing. The crisp cuts and well-timed transitions maintain the narrative’s breezy flow, never allowing the pace to drag. The film doesn’t linger unnecessarily on melodrama and instead keeps its focus on delivering a heartfelt, entertaining story. The special effects are minimal, as the movie doesn’t rely on grand visuals, but they are effective in small doses, especially during the more comedic moments.
Overall, this film is a delightful and important step forward for Bollywood in terms of inclusivity. It delivers a strong message without being preachy, using humor as a vehicle for change. The movie feels like a conversation starter—entertaining, but not shying away from addressing deep-rooted societal issues. Ayushmann, once again, proves his ability to pick socially relevant films, and Jitendra’s understated performance adds the perfect contrast. If you’re in the mood for a feel-good film that also makes you think, this is a must-watch. It doesn’t just deserve to be seen; it needs to be understood and appreciated for the dialogue it initiates in mainstream Indian cinema.
